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Filmmakers love weddings. The reasons are obvious: so many characters, so much potential for drama and romance, so many things that can go wrong. Weddings are also events that most people, in one way or another (whether as a guest or a participan...

Although perhaps a little unkind, the best description I can think of for Racing Stripes is that it's a "Babe wannabe." The new film has many of the same qualities, but it isn't as fresh, as witty, or as affecting as the 1995 movie or its 1998 seq...

Some critics, including Siskel & Ebert, are on the record stating that Martin Scorsese's Raging Bull, the story of boxer Jake La Motta, is the best film of the '80s. Since there are still a number of '80s films that I haven't seen, I don't fee...

Wow. For those with strong constitutions, The Raid 2 offers one of the most intense motion picture experiences available; it may also be the most violent movie ever to be released into theaters. It's somewhat astonishing that writer/director Garet...

When it comes to The Raid: Redemption, there are no pretentions. Pure and simple, this is about violence. As we used to say, "kickin' ass and takin' names." The body count is ridiculously high. Not three-digit high, but getting close. Yet, because ...

Spoilers Ahoy!: The assumption is that everyone reading this review has seen Raiders of the Lost Ark. The review discusses in frank detail things about the ending, so, if you haven't seen the film and don't want its secrets spoiled, watch the mov...

Rain Man is an oddball buddy/road movie that nearly drowns in a tsunami of sentimentality and predictability. An unabashed crowd-pleaser, the 1989 Best Picture Oscar winner has aged poorly, its marginal likability fading like an old Polaroid s...

It has been several years since I've read a book by John Grisham (I believe the last one was The Client). After three or four of Grisham's novels, I grew tired of the predictable repetitiveness and contrived suspense of the narratives. As a resul...

It’s past time for Woody Allen to go gently into retirement. The Oscar-winning director, having made some of the 20th century’s most memorable comedies, has nothing left to prove and his recent output is indicative of someone with no more sto...

The long-gestating, often-delayed sequel to 2012’s Wreck-It Ralph, Ralph Breaks the Internet is one part fan service, one part product placement, and one part pop culture inundation. It’s breezy and fun and, like its predecessor, relies mor...