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San Andreas is exactly what one might expect it to be - no more and no less. It's as if director Brad Peyton (Journey 2: The Mysterious Island) and screenwriter Carlton Cuse assembled this movie after attending a Disaster 101 course. Although tec...

There's something about an effective "man versus nature" film that gets the blood pumping. Maybe it's because the situation is often more dire than in a traditional thriller, or perhaps it’s the sheer implacability of the adversary, but the diffi...

The Santa Clause 2 is a worthy successor to the original 1994 film – that is to say, anyone under age 10 will be enchanted; anyone over age 10 will have trouble stifling their boredom. The movie has a laudable quality or two, but overestimating ...

You get what you expect with The Santa Clause 3. The two previous movies in the franchise have adequately prepared potential viewers for the experience of sitting through the third. The bland sameness of these films disallows the possibility of d...

This is what happens when someone takes what might have been a moderately-entertaining television Christmas special and tries to adapt it for the big screen. The Santa Clause isn't an unmitigated disaster, but it's also a whole lot less impres...

Bigfoot legends have been around for more than a century but they had their Moment in the 1970s and 1980s (alongside the Loch Ness Monster) when a Sasquatch craze swept the nation. It eventually died down as Bigfoot hunting parties came home empty...

Nowadays, everything needs an origin story…even a TV show. Jason Reitman’s Saturday Night, which takes place in real-time during the night of October 11, 1975 in and around Studio 8H at 30 Rockefeller Plaza, mixes fact, fiction, mythology, and...

(Spoilers, but hey, it’s 40 years old!)Many movies look much different when watched years after their release but few have aged in quite the way that Saturday Night Fever has. When the movie first debuted in the winter of 1977, it rode the rising...

Savages is a drug-fueled crime delirium that doesn't break much new ground in the genre but offers a volatile concoction of violence, heroism, and amorality that is compulsively watchable. The director is Oliver Stone, a filmmaker often associated ...

The Savages is being described in some corners as a "dark comedy," but such a designation does a great disservice to Tamara Jenkins' picture. This is not a comedy but a drama. To the extent that there is humor, it emerges from the uncomfortable s...