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Back toward the beginning of her career, a then- 29 year old Helen Hunt appeared in a movie called The Waterdance. The film dealt frankly with the way disability impacted the sexual relationship between her character and the one played by Eric Stol...

Frequently, mystery/thrillers present us with a cast of about six or seven characters, set up a sequence of grizzly murders, then "surprise" us by revealing which of those six or seven characters is the guilty party. It's a time-honored method...

The primary goal of Seven Pounds is to make viewers weep, and it pursues that aim with a doggedness that is almost commendable. The film manipulates shamelessly and, despite defying logic with its contrivances and unconvincing character portrayals...

In transitioning Sex and the City from the small screen to the big one, filmmaker Michael Patrick King (who was also one of the HBO show runners) chose not to make the movie inclusive. This is for the fans, and only for the fans. Those who lived a...

"Movies for fans" (as distinguished from "fan-made movies") - motion pictures targeted primarily at aficionados of a series and secondarily at the public - have been around for decades, but never has one been as openly dismissive of the general mov...

Sometimes, even a hardened critic can be surprised by a movie. Based on the promotional material, Sex Drive appears headed down the worn track followed by a long line of formulaic teenage road comedies. I won't bother listing the titles - those w...

Two fundamental problems afflict Sex Tape (aside from the fact that it's not consistently funny): a shocking ignorance about the state of modern technology and a mistaken belief that the subject matter is inherently edgy. The screenplay is disappoi...

Shadow Conspiracy marks Charlie Sheen's second consecutive conspiracy thriller. Of course, there are several notable differences between this and The Arrival, the most obvious of which has to do with basic quality. For, while last summer's alien ...

Shadow of a Doubt is a Hitchcock film that doesn’t necessarily feel like a Hitchcock film. That doesn’t mean it’s not a bona fide classic but many of the tropes that would come to be identified with the Master of Suspense are conspicuously a...

Shaft (2019) is the third film to bear that name, following a 1971 movie and a 2000 reboot/sequel. It’s the fifth film in a series of sorts (there were a total of three movies in the 1970s to go along with a short-lived TV series), but the S...