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In the past, it has been difficult to get the public interested in political films. This is especially true of younger viewers who are not old enough to participate in the voting process. 2008 may be different, however, with the "rock star" candi...

The Switch made me want to gnash my teeth in frustration. Nested within the restrictive confines of a middling romantic comedy is a secondary plot of some immediacy and power. It results in several moving scenes and allows Jason Bateman's acting ...

"You know what the problem with Hollywood is - they make shit." It is with that statement - not profound, but undeniably true - that Swordfish opens. And, while this movie isn't going to convince anyone that the major studios have suddenly turn...

With Charlie Kaufman, the writer of such movies as Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind, one expects something weird and wonderful. So it will come as no surprise that "weird" is an apt descriptor for Synecdo...

You may have to look long and hard to find a 2005 movie with as cynical an outlook on global politics as Syriana. Sadly, this is a situation when the cynicism is understandable. In addition to painting a bleak picture, Syriana makes no concessions...

Errol Morris may be unique among high profile, veteran documentary filmmakers in that his primary interest is in the people he interviews. His movies are real-life character studies not pseudo narratives, political rants, or "serious" examinations ...

Does the fact that Tag is loosely based on a real story make it more enjoyable? Not really, although it illustrates the absurdity of some human endeavors. It’s a red herring designed to distract from an underlying truth about this movie: it ...

It's Dangerous Minds with dancing. That's the sinking feeling I got while watching Take the Lead, one of the year's most uninspired inspirational stories. Culled from the real-life experiences of Pierre Dulaine (Banderas), Take the Lead warps and...

Takers is a standard-order heist flick that stays mostly true to its B-movie roots until the end, when director John Luessenhop attempts to inject a little seriousness (there's some slow-motion and even an operatic score) into an otherwise unpreten...

The Hollywood remake train continues unabated, racing through signals as it dives underground into New York City's subways. At least it can be said that this, the third version of The Taking of Pelham 123 (following the 1974 feature and a 1998 mad...