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First thing’s first: this is not a remake of the 1987 film of the same name starring Arnold Schwarzenegger. The two are connected only insofar as each claims to be an adaptation of the 1982 Stephen King novel. In the case of the first movie, simi...

The Smashing Machine is one of those biopics that falls into the trap of trying to do too much within a limited span of time. The tapestry woven by writer/director Benny Safdie is so dense that he might have had a better chance of realizing his vi...

For the most part, Netflix has two modes of films: high-profile prestige projects and “lesser” titles that use recognizable stars to lure bigger audiences. The Woman in Cabin 10 fits snugly into the latter category. For lack of a better descri...

This is the sort of movie that gives “chick flicks” a bad name. It’s a cross between inept melodrama and a bad sit-com. The “comedy” (for lack of a better word) is obvious, poorly timed, and not especially funny. The “drama” (again, f...

The best things about Paul Thomas Anderson's There Will Be Blood are not elements that will build large audiences. This is a film about character development/disintegration and a comprehensive look at the early days of the oil industry. The more ...

The Farrelly Brothers' first two films, Dumb and Dumber and Kingpin, were outrageous, uncouth, bawdy, and unapologetically lowbrow. Their third film, There's Something about Mary, is all of those things and one more: hilarious. I rarely chuckl...

You know what they say about "too much of a good thing?" That applies to They Will Kill You, the English-language debut of Russian filmmaker Kirill Sokolov, whose hyperkinetic approach to killing Satanic cultists is initially funny, bracing, and t...

A Thin Line Between Love and Hate is muddled to the point of tedium. The screenplay is credited to four writers, and its unevenness argues that none of them were on the same wavelength. Subplots start but never finish, characters come and go...

When it was released in 1982, John Carpenter's remake of Howard Hawks' 1951 science fiction classic The Thing from Another World spurred much debate about not only which film was more effective but whether Carpenter's version fit better into the sc...

The same questions accompany The Thing that accompany any revival of an '80s property, be it Conan the Barbarian, Fright Night, or Footloose (to name only a few of many, many candidates). First and foremost is "Why?" However, while it may seem unne...