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Peter Allen and Carole Bayer Sager wrote “No need to remember when, 'Cause everything old is new again.” Lately, that has become the Disney way: take a classic animated film and remake it into something that, although shiny and eye-po...

Because I Said So is a made-to-order romantic comedy of the type "B" variety (that's the one where the heroine is torn between the socially and financially "ideal" guy and the one who really makes her happy). As I have previously written, a formul...

Put this one squarely in the “guilty pleasure” category. And keep in mind that if you can’t be entertained by a thirteen-year old girl ruthlessly dispatching evil-doers in ways that will make a horror film fans tingle with glee, this may...

Becoming Jane looks at the life of Jane Austen through the prism of her novels. The film is a semi-fictional biography of the esteemed author; although it incorporates people and events from her life, it also takes liberties with known events. Lik...

While Bed of Roses lacks the freshness of When Harry Met Sally and the smart sensuality of Before Sunrise, it nevertheless possesses enough intelligence and energy to lift it into the upper echelon of "traditional" modern romances. And, with so ma...

For Adam Sandler, who has lived most of his on-screen life in the realm of PG-13, Bedtime Stories represents a new direction: family friendliness. With his characteristic sarcasm dialed down and his profanity and sexual humor nearly absent, Sandle...

The press notes for Bee Movie indicate that Jerry Seinfeld came up with the title before he had an inkling what the story might be. Having seen the film, I can believe that. As befits something from Seinfeld's pen, the screenplay contains a smatter...

It would be unfair and inaccurate to refer to Bee Season as "another dysfunctional family drama," although, in essence, that's what it is. Adapting from Myla Goldberg's novel, co-directors Scott McGehee and David Siegel (The Deep End) have fashione...

When I think of a “Jason Statham movie,” I think of The Transporter. Or Crank. Or The Mechanic – all relatively mindless (but enjoyable) thrillers that understood the appeal of their deadpan leading man: his ability to give and take physical ...

Horror/comedies were all the rage in the 1980s, with many of the so-called “serious” genre entries displaying a toothy sense of humor (although one can debate to what extent this was intentional). Excepting perhaps 1984’s Ghostbusters, none ...