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I’m a sucker for movies that question the sanity of the main character and thereby cause the viewer to wonder about the reliability of the narrative. Such films, if made right, can offer a wild ride. Unsane, Steven Soderbergh’s second post...

Unstoppable, a 95-minute thrill ride from director Tony Scott, delivers the right level of adrenaline. Unfortunately, the sheer exhilaration is dampened somewhat by an overreliance upon action/thriller stock situations and characters. When the pr...

Until Dawn is a gimmick movie – a production with just enough tantalizing moments to assemble an intriguing 3-minute trailer but not nearly enough to comprise a full-length feature. It’s technically based on a video game, although the connecti...

Untogether, the directorial debut of novelist/essayist Emma Forrest, is a slice-of-life look at the lives of two sisters. Although the film boasts some nuggets of truth, there’s a lot of artifice in the narrative. There’s also an imbalance...

The Untouchables is a tour de force, the pinnacle of a career. For Brian De Palma, known best for his stylish crafting of Hitchcock-influenced plots, The Untouchables represents not only a departure from the norm, but an unqualified triumph. This...

Untraceable engenders a reaction that is one part fascination, one part disappointment, and two parts frustration. The film, which has the ingredients for a thoughtful, tense thriller throws away a compelling first half so it can descend into silli...

A film like Up makes it clear that Pixar has moved beyond the point where it feels the need to pander to children. Unlike its main animation competitor, Dreamworks, Pixar allows sophisticated themes and ideas to seep into its movies. Everything d...

Up in the Air is a wonderful little film (the word "little" being relative, of course). It was the best thing I saw at the 2009 Toronto International Film Festival, and it stand up as well away from the peculiar atmosphere of the festival as it di...

Upgrade, the exploitation-influenced stepchild of Payback and Robocop, is the latest creation from Leigh Whannell, the influence behind Saw and Insidious. Working without the James Wan safety net, Whannell proves adept at providing sufficien...

Now that Kevin Costner has grown too old to convincingly play a baseball star (even an aging Major Leaguer, as in For Love of the Game), he has progressed logically. In The Upside of Anger, he portrays an ex-Detroit Tiger whose life has deteriorat...