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Watching You Don't Mess with the Zohan is a little like watching an episode of the TV show of which Adam Sandler is an alum: Saturday Night Live. Zohan feels like an extended collection of skits tied together by a flimsy umbrella story. It feature...

You Don’t Nomi is a 2019 documentary that takes a fond look back at the deservedly derided Paul Vehoeven/Joe Eszterhas box office bomb, Showgirls. Although director Jeffrey McHale approaches the retrospective from a decidedly subjective poin...

As a writer by trade (at least before he started directing), David Koepp should know that a good ending is at least as important as a good beginning, if not more so.  You Should Have Left, a haunted house movie that doubles as an homage to St...

Tom Hanks can act. You need look no further than this year's Saving Private Ryan for proof of that. Meg Ryan can also act. For supporting evidence, check out Prelude to a Kiss and Courage Under Fire. However, in Nora Ephron's latest romantic co...

By their nature, there is a predictable sameness to most romantic comedies. Armed with an "if it ain't broke, don't fix it" mentality, filmmakers venturing into this genre rarely attempt anything daring; they are, after all, courting an audience t...

You, Me and Dupree represents the second high-profile movie of the summer of 2006 to be mis-marketed as a comedy. As with The Break Up, this stars one of the featured actors from last year's surprise hit, Wedding Crashers. However, Owen Wilson isn'...

Diablo Cody has a distinctive voice. You can hear it in Juno. You can hear it in Jennifer's Body. You can hear it in United States of Tara. And you can hear it in Young Adult. After a while, however, the uniqueness of what Cody has to say and how ...

The Young Victoria, which was selected as the closing film of the 2009 Toronto Film Festival (a position that often attracts mediocrity), isn't so much poorly made as it is uninspired. It's hard to determine whether the root cause is that the earl...

For his second feature, director Neil LaBute ventures across a domestic landscape that is no less dark than the world of corporate backstabbing he visited with In the Company of Men. Those looking for something lightweight or feel-good need not bo...

When assessing the small motion picture sub-genre of the "fantasy comedy," it's necessary to acknowledge that the impregnable pinnacle is occupied by Rob Reiner's The Princess Bride, a classic whose prominence may never be challenged. Your Highnes...