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At least after seeing this movie, I understand where the title came from -- starting about thirty minutes into this interminable, unfunny feature, I began looking at my watch every few minutes and thinking, "Dear God, is this ever going to end?...

Dear John delivers pretty much what one would expect from an adaptation of a Nicholas Sparks novel: a high-profile downer of a Harlequin romance. There's a market for this sort of movie, which lays it on thick and does everything possible to make ...

Death at a Funeral addresses the question of whether a British comedy featuring a bunch of white guys can translate into an American setting with a group of (primarily) black characters. Since the answer is "yes," this says something about the fle...

Despite being directed by a Yank, Death at a Funeral has a very British flavour. In fact, at times it reminded me of nothing less than an extended episode of Fawlty Towers, minus the manic genius of John Cleese. The film begins slowly, with occas...

With a title like Death of a Unicorn, it’s perhaps unsurprising that Alex Scharfman’s film has a distinct Yorgos Lanthimos vibe (keeping in mind that Lanthimos made something called The Killing of a Sacred Deer). Although Scharfman doesn’t em...

Whether by coincidence or design, the three week period from August 20 through September 10 has been dominated over the last five years by Jason Statham. In 2004, there was Cellular. In 2005, there was Transporter 2. The 2006 entry was Crank, fo...

Fans of Death Race 2000 (they comprise a small but loyal group) argue that the movie’s strength lies not in its action but its political commentary. Although it would be fair to say that the film has allegorical elements related to a dystopi...

Death Sentence is Death Wish for the 2000s. However, in place of the slow-burn intensity of Charles Bronson, we have the guilt-riddled stylings of Kevin Bacon. It's easy enough to guess at what director James Wan was trying for with Death Sentenc...

It’s fair to ask what new things Eli Roth and Bruce Willis bring to Death Wish that the original, made in 1974 with Charles Bronson, didn’t have. The answer is: not many. Rather than using this as an opportunity to provide a deeper dive in...

Perhaps the most complimentary thing that can be said about Barney Elliott’s directorial debut, The Debt, is that it has the best of intentions. Unfortunately, a worthy message doesn’t necessarily equate to a good movie and, in this case, ...