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Admission is a serviceable, sporadically entertaining motion picture that has been aggressively developed for mainstream consumption. Infused with an almost relentless blandness, it's defined by soft comedy (a few laughs here and there), flaccid dr...

Adrift, like many competently-crafted survival films, chronicles the ultimate underdog bout: Human against Nature, where the odds are stacked against the former by the sheer power of the latter. Most survival tales come with a “based on a tr...

More than 30 years ago, the template established by Animal House for college age comedies became a recognized standard. However, although the Animal House approach is a good way to get cheap laughs, it falls apart when anything more substantive is...

Had The Adventures of Tintin been a live motion picture rather than a motion capture-driven animated endeavor, it would have been compared to Raiders of the Lost Ark and Pirates of the Caribbean. As it is, however, with the cartoonish characters se...

I'll never understand why studios sometimes choose to withhold films from critics. The lack of advance screenings of Aeon Flux establishes an expectation that the film is likely to be tough to sit through. It's the studio's way of throwing in th...

Writer/director Paul Schrader has always been fascinated by the line between sanity and madness, and what it takes to push a man over the edge. This theme stands out in two of Schrader's best known scripts, Taxi Driver and Raging Bull, both of whi...

The sad truth about After Earth is that not only is it difficult to find things it does well, but there are numerous examples of outright incompetence dotting the landscape. Outside of some nice visuals, it's impossible to find a reason to recommen...

Spoiler Alert: This review contains spoilers related to something that happens about mid-way through the movie. Although I generally don’t like revealing plot points, it would be difficult to present a meaningful discussion of the movie with...

After the Sunset is a mess, but it's a breezy, fun mess. No one is ever going to mistake this for great art, but it has a charismatic cast, moves with an effortless pace, and, in the end, almost makes you forget that it doesn't do anything memorab...

After the Wedding is a throwback of sorts – a return to the days when a common reason for creating a remake was to take a foreign language film and translate it into English. For this project, writer/director Bart Freundlich has turned to Su...