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Long story short: Elio is a good film for kids, maybe not so great for adults. That doesn’t sound like Pixar, which has developed a reputation for the “two tiered” approach: movies capable of engaging children while reaching their parents on...

Following scathing audience reaction to a "work copy" of Elizabethtown shown at several major late-summer film festivals, writer/director Cameron Crowe went back to the drawing board, paring down the 138-minute "director's cut" to a slightly more m...

Elysium is a thoroughly entertaining science fiction/action spectacle that reinforces the argument that director Neill Blomkamp (District 9) has what it takes to enthrall audiences. However, I can't help but wishing this material had been given "th...

Emergency, the Waldo Salt Screenwriting Award winner at the 2022 Sundance Film Festival, gives viewers things to think about, which is an infinitely preferable alternative to the kind of film where it’s possible to sense the mass demise of brain...

It's the romantic buried inside each of us that responds to movies like Emma. Sure, the film, like the Jane Austen novel upon which it is based, is laced with wit and sophistication. And, although it contains enough social commentary and char...

When reviewing The Emoji Movie, “poop” is definitely appropriate. Or a frowny face. Or both.Oh, I suppose it’s not as bad as all that. After all, if one considers that this was made with the 7-10-year old group in mind, it passes muster....

Many times, it is possible to make a snap determination about a movie based on its trailer. Happily, in the case of The Emperor's New Groove, any such judgment is likely to be in error. That's because the trailer makes the movie seem like one of ...

In recent years, the two animation studios working under the Disney umbrella have been making a concerted attempt to shake free of their reputation as a White Princess Factory. The result: a pipeline of features populated with diverse casts – Coc...

Once upon a time, Disney was the king of animation. Today, in the realm of CGI and 3D, they remain at the top only by virtue of a partnership with Pixar. Hand-drawn animation - the kind responsible for many of Disney's most beloved classics - is ...

Wim Wenders' The End of Violence offers the same type of experience one could expect from sitting through a David Lynch film with a reasonably-coherent narrative (unlike, for example, Lost Highway). Arguably Wenders' most disjointed film to date, ...