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In 2013, after making Side Effects, Stephen Soderbergh announced his retirement from feature filmmaking. Over the next few years, he kept busy, primarily as the main creative force behind the TV series The Knick, which he directed, executive p...

In the mountains of Afghanistan, one man, injured and bleeding, struggles against impossible odds to stay alive. It's at this point that the focus of Peter Berg's Lone Survivor shifts from that of a war movie to that of a tale of survival. In retro...

Looper is a tremendous motion picture experience. Not merely a "very good" one, but a great one. It delivers on all possible levels and its missteps are few and minor. It's a rousing science fiction/fantasy tale with a dose of hard-hitting drama, a...

When Jurassic Park was released in 1993, it set a new standard for state-of-the-art visual and audio effects. It was suddenly possible to see humans and dinosaurs interacting in a way that had never before been possible, and to feel the entire theat...

Edward Zwick is probably best known for his work on television. Along with Marshall Herkovitz, he was a driving force behind two long-running TV series (thirtySomething and Once and Again). He was also an important contributor to many others (inc...

Mad Hot Ballroom is about ballroom dancing in the same way that Spellbound is about spelling bees and Hoop Dreams is about basketball. That is to say, tangentially. Although ballroom dancing forms the backdrop against which this uplifting documen...

If your expectations for Magic Mike have been formed by the trailers and the TV ads, you can be forgiven for anticipating a male version of Showgirls or Coyote Ugly. Keep in mind, however, that the director is Steven Soderbergh, not Paul Verhoeven,...

It's easy to understand why the original Magic Mike was a success: the not-too-cheesy, not-too-serious story of a male stripper featured plenty of beefcake, high-energy dance sequences, standout performances from Channing Tatum and a manic Matthe...

Magic Mike’s Last Dance exemplifies Hollywood’s obsession with established properties. When Steven Soderbergh released Magic Mike in 2012, it was designed as a stand-alone film with a beginning, a middle, and an end. However, its box office suc...