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In the world of comic books, there are A-list titles and B-list titles. For the movie adaptations, it's easy to tell the two apart. The B-list films feature characters who are not universally recognizable, typically do not command huge budgets, a...

Giant makes for an interesting case study of a "classic" American motion picture. Although it was a huge financial success for Warner Brothers, the prints were allowed to fall into a shocking state of disrepair over the years. And Giant's reputat...

When Stieg Larsson died unexpectedly in 2004, he left behind three novels that would become worldwide sensations only after his death. The trilogy, which began in The Girl with the Dragon Tattoo, introduced Swedish journalist Mikael Blomkvist ...

The dark seeps out of the screen like living thing, evidence that The Girl with the Dragon Tattoo is more than a paycheck to director David Fincher, who has improbably affixed his own imprint on a movie that comes weighted down with possibilities a...

Voyeurism is a favorite pursuit of Americans, and The Girlfriend Experience works in large part because it indulges that pastime. The fascination with the film is that it offers an arm's-length opportunity to peer through a peephole into a lifesty...

The Good German, Steven Soderbergh's film noir homage, is nearly perfect when it comes to style and tone, but it concentrates so single-mindedly on the mechanics of the narrative that it loses sight of its characters. The movie meticulously steps ...

Wow. If ever there was a case to be made for 3-D as a valuable cinematic tool, Alfonso Cuaron has made it. Put alongside Avatar and Hugo (with honorable mentions going to Prometheus and Life of Pi), Gravity shows the power of 3-D when applied ...

As 1993 drew to a close, movie-goers in search of light entertainment were treated to the delightful (if formulaic) Grumpy Old Men, a reunion of the often-paired odd couple of Jack Lemmon and Walter Matthau. Now, two years later, John Gustafs...

Sometimes the films I enjoy the most aren't the ones that get four stars. For example, while Farewell My Concubine is an example of superior, powerful film making, it isn't the sort of movie you embrace for the pure magic of the entertainment it...