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Reduced to its essence, David Cronenberg's A Dangerous Method is little more than an historical romantic tragedy. Since the film's three principals were pioneers in the field of psychotherapy, it goes without saying there's a lot of dialogue about ...

For most superhero franchises, the third movie is a trap. It's there that the Tim Burton/Joel Schumacher iteration of Batman started its rapid descent. It's there that the Christopher Reeve Superman saga had the wheels come off. It's there that Sam...

Consequences. In real life, these ramifications emanate from every action like ripples from a stone thrown into a pond. Often in movies, especially those that feature characters who don't play by the rules, such penalties are suspended. However,...

There's a reason why so many action/comedies are failures. This is as true for more obvious misfires like The Bounty Hunter and Cop Out as it is for minor infractors like Date Night, an affable but ultimately forgettable example of the genre. In ...

In the terrorist-busting business, perception is more important than reality. That’s the thesis of Christopher Morris’ blistering black comedy, The Day Shall Come, and he delivers the message with the subtlety of a jackhammer. The most dis...

Daybreakers argues there still may be some new terrain to be strip-mined in the rush to exploit the bloodsucking undead. As far removed from the Twilight series as possible (with more in common with Children of Men), Daybreakers brings its vampires...

Death at a Funeral addresses the question of whether a British comedy featuring a bunch of white guys can translate into an American setting with a group of (primarily) black characters. Since the answer is "yes," this says something about the fle...

Roger Ebert once said that, if done right, any topic could be the subject of a comedy. In that spirit, consider The Death of Stalin. From the title, one might assume that this is a serious look at a seminal event of 20th Century world history. ...

Disturbia is a nice little mystery thriller that takes a wrong turn on the way to its climax and morphs into a slasher movie. This abrupt change in tone is as jarring as it is unwelcome and transforms what could have been an effectively tense conc...

Oh no, not another PG-13 horror film! "But wait," you say. "It's by Sam Raimi." Perhaps, then, it shouldn't be routinely dismissed as just another tale of demons and ghosts that has been emasculated with the goal of appealing to pimple-faced teen...