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Heart Eyes almost does it. It arrives with enormous ambitions and comes damn close to nailing it. Yet, even though it doesn’t fully deliver what the filmmakers attempt, it nevertheless provides a fun 90-odd minutes whose beats are like that of a...

Sometimes, it's all about the cast. That comment isn't meant to disparage the scriptwriting of Michael Markowitz, John Francis Daley, and Jonathan Goldstein, who offer their share of amusing situations and snappy one-liners, or the direction of Se...

Horrible Bosses 2 (emphasis on "horrible") is an apt title for this repugnant, unnecessary sequel. Painfully unfunny and unnecessarily long, this movie is the antithesis of its predecessor, the delightfully raunchy Horrible Bosses, which chronicle...

In the case of Hot Tub Time Machine, the title is arguably more inventive than the movie. An attempt to flavor The Hangover with a little Back to the Future, this film argues that what happens in the '80s stays in the '80s, but does so with middli...

"Hate put me in prison. Love's gonna bust me out." Those words, spoken by Rubin "Hurricane" Carter (Denzel Washington), form the thematic foundation of Norman Jewsion's latest film, The Hurricane. Alternatively tragic and triumphant, it is an ex...

I Love You, Beth Cooper contains a share of effective elements wrapped around the core that, overall, isn't very good. Although masquerading as a generic teen romantic comedy, the film touches on topics that are atypically introspective for this s...

A lot of movies released into theaters deserve the label of "bad." Only a few cross the line into "reprehensible." Say hello to Identity Thief. The big problem with this overlong, tedious would-be comedy has nothing to do with the quality (or lack ...

Moody. Mournful. Slow. Languorous. Long takes. Deep colors and deeper shadows. Images that linger. All of these thoughts, observations, and impressions come to mind while watching Wong Kar-Wai’s 2000 feature, In the Mood for Love. The film w...

Undoubtedly, some reviews are going to describe Inception as confusing. Such a description confounds me, and may be more indicative of how accepting people have become of screenplays that allow for no ambiguity and traverse plotlines by blazing tr...

Perhaps The Internship might have worked eight years ago, had it been released in the wake of the unexpected success of Vince Vaughn and Owen Wilson's Wedding Crashers. (Emphasis on the word perhaps - this movie wouldn't have been any better in 200...