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Across the Spider-Verse, the middle installment of the “Spider-Verse” trilogy (following 2018’s Into the Spider-Verse and ahead of 2024’s Beyond the Spider-Verse), is just as rambunctious, psychedelic, and occasionally spastic as its precu...

No reasonable person could expect the long-gestating Spinal Tap II to match the comedic brilliance of the 1984 classic This Is Spinal Tap. Still, it’s disheartening to see just how far Rob Reiner’s follow-up has fallen. While the film does deli...

Of Roger Moore's seven James Bond pictures, The Spy Who Loved Me stands out as the best. Stripped of the extreme silliness of The Man with the Golden Gun and packed with style, action, and wit, The Spy Who Loved Me ranks alongside the Connery...

Upon its release in 1984, Jonathan Demme's Stop Making Sense was hailed by many critics as the "greatest concert film of all time." The picture, which captured a live concert performance given by the Talking Heads, used state-of-the-art direct-to-...

Upon its release in 1984, Jonathan Demme's Stop Making Sense was hailed by many critics as the "greatest concert film of all time." The movie, which captured a live concert performance given by the Talking Heads, used state-of-the-art direct-t...

Despite dismal box office results across-the-board, the major movie studios have yet to figure out that the American public is not interested in preachy movies about the war in Iraq. Filmmakers interested in producing compelling dramatic films abo...

Every December, one of the major studios brings us a musical - something to lighten the spirits and brighten the holidays. This year, in the proud tradition of Chicago and Dreamgirls, we have Sweeney Todd: The Demon Barber of Fleet Street. With T...

Note to readers: this review contains spoilers. While I do not believe that the revelation of certain plot points will damage the overall viewing experience, those who wish to see Sweet November without having previous knowledge of key elements wo...

"You know what the problem with Hollywood is - they make shit." It is with that statement - not profound, but undeniably true - that Swordfish opens. And, while this movie isn't going to convince anyone that the major studios have suddenly turn...