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At the time of its 2001 release, expectations were high, perhaps unreasonably so, for A.I., the first – and only – movie to bear the monikers of cinematic heavyweights Stanley Kubrick and Steven Spielberg. Yet, while A.I. is consistently i...

The era of the Universal classic monster movies lasted from 1931, when the studio released Dracula (featuring Bela Lugosi’s iconic portrayal), until 1948 when Abbott and Costello Meet Frankenstein took the venerable horror figures into parod...

The only James Bond story for which Albert Broccoli never obtained the rights is Casino Royale. Those are held by Charles Feldman, who, following the success of Dr. No, From Russia with Love, and Goldfinger, decided that he wanted to make his ...

Three things made Dangerous Liaisons, the 1988 Stephen Frears/Christopher Hampton collaboration, one of the best films of the decade: tremendous dialogue, an intriguing and Machiavellian plot, and top-notch performances (excepting Keanu Reeves). ...

When all of the dust from 2004's crumbling blockbusters has settled, I, Robot will likely emerge as the strongest mainstream motion picture of the summer. The best big-budget science fiction film since Minority Report, I, Robot gets high marks not...

The Nutcracker and the Four Realms is a miscalculation of Magic Kingdom-sized proportions. Designed for and targeted at prepubescent girls, the holiday-themed fantasy adventure drowns in CGI, underdeveloped characters, and a plot utterly devoi...

Our Brand is Crisis is about an election but in many ways it plays out like a boxing movie told from the perspective of the trainer. The cynical, satirical edge is entirely appropriate for the world of politics in which style trumps substance and the...

Real Steel, despite being dubbed the "Rock-em/Sock-em Robot movie," seeks to achieve more than such a limiting nickname might imply. A fusion of three popular genres - the father/son relationship movie, the boy-and-his-dog movie, and the sports mov...

It has long been my opinion that Hollywood is more fascinated by the subject of exorcism than the public in general. The Exorcist did for this horror subgenre what Jaws accomplished for sharks. Sure, there have been sequels and knock-offs, but no...

Secretariat joins Disney's pantheon of sports movies about underdogs that defy odds and become champions. Of all the movies in this group (which includes Remember the Titans, The Rookie, Invincible and Miracle), this is the least effective, in lar...