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Fried Green Tomatoes is a thoroughly enjoyable movie-going experience, replete with laughter, tears, triumph, and tragedy. Unfortunately, it has been sanitized and "Hollywoodized", with the relationship between the two 1930 female leads left ambig...

Furious Seven provides what viewers have come to expect from the long-running The Fast and the Furious series: a string of high-octane, physics-defying action scenes loosely connected by a narrative that occasionally makes rudimentary sense. This tim...

He's Just Not That Into You seeks to mine the same vein of romantic comedy ore as Love, Actually - the multi-arc story in which characters cross each others' paths and interact in an attempt to show different facets of one emotion. Unfortunately, ...

It’s probably fair to say that Liam Neeson could do this role in his sleep. Perhaps that would explain the curious lack of energy not only in his performance but in the production as a whole. Ever since Neeson became accepted as an action st...

Few figures in 20th century music are more deserving of the label "enigma" than Bob Dylan. Reclusive, frequently misunderstood, and never pigeonholed into a niche, Dylan has remained a mercurial figure for the entirety of his long career. So when...

John Dies at the End is problematical. It's an attempt by director Don Coscarelli to adapt a book that has a fanatical following but has often been described as "unfilmable." The end result has garnered mixed reactions from those who love David Won...

If Knock at the Cabin was an episode of the old TV series “The Outer Limits,” it would be regarded as middling and forgettable. Such descriptors seem kind, however, when applied to a 100-minute production that requires an admission fee. A medi...

Let Me In is the English-language remake of the 2008 Swedish film Let the Right One In. From the beginning, there has been controversy associated with the "Hollywood-ization" of an edgy, ambiguous vampire tale because many die-hard adherents belie...