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Keeping up with the Joneses (not to be confused with the better 2010 film The Joneses) is a paint-by-numbers, creatively bankrupt “comedy” emerging from a studio system that has largely forgotten what it means to be genuinely funny. Lazil...

Note: There are minor spoilers throughout and final paragraph contains a somewhat more substantive, but oblique, spoiler. The "danger area" for the latter is marked. As Let the Right One In opens in a suburb of Stockholm during the 1980s, 12-ye...

A fiery horse with the speed of light, a cloud of dust and a hearty "Hi-yo Silver" - the Lone Ranger! With his faithful Indian companion, Tonto, the daring and resourceful masked rider of the plains led the fight for law and order in the early West...

Maybe there's some truth to the assertion that Alice Sebold's novel is unfilmable. After all, if a visionary like Peter Jackson, who crafted a nearly perfect cinematic adaptation of The Lord of the Rings, can't do it, who can? Perhaps the issue i...

A single phrase might be all that's necessary to review The Lucky One: "A Nicholas Sparks movie." Sure, Scott Hicks (Shine) is the director and Will Fetters (Remember Me) gets a screenplay credit, but the average movie-goer who settles into a theat...

If one was to apply loose definitions, The Lucky Ones could be considered a "war movie." In reality, however, this is less about how the characters react under fire than how they react when removed from it. The Lucky Ones is a road movie and, in ...

Spoilers... I guess. Those who care, however, will have already read the book and therefore can't be spoiled. When it comes to movies based on YA novels, there are two flavors: those designed exclusively for fans of the books (Twilight, for ex...

For his tenth feature film, writer-director Paul Thomas Anderson once again reinvents himself. A filmmaker who has consistently resisted pigeonholing with projects as diverse in tone and content as Boogie Nights, Magnolia, and Phantom Thread, Ander...

Arguably, some of the issues addressed by One Flew Over the Cuckoo's Nest are not as relevant in 2006 as they were in the mid-1970s, but that realization in no way diminishes the film's dramatic impact. This was the second English language film fo...

Other People’s Money, the motion picture adaptation of Jerry Sterner’s 1989 play, opens with a deliciously cynical monologue by Danny DeVito that captures public perceptions from the era: “I love money. I love money more than I love the ...