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The Front Runner attempts – and partly achieves – two goals: to provide a chronicle of events leading to the downfall of one-time Presidential candidate Gary Hart and go illustrate the power of the press to do harm. While there have been n...

When a movie is made based on a book that millions of people have read, the first question asked often pertains to the faithfulness of the resultant cinematic product to its written inspiration. In the case of The Kite Runner, director Marc Forste...

Despite a strong opening and riveting first 45 minutes, The Maze Runner devolves into one of the weakest post-apocalyptic Young Adult movies to reach theaters in recent years. The film's inability to sustain the energy it starts with results in a d...

If I knew definitively what the plural was for the term deus ex machina, I’d apply it here. Rarely can I remember a movie filled with so many miraculous rescues and associated contrivances. The Death Cure represents the final chapter in a mo...

In the pantheon of YA ("Young Adult") dystopian book-turned-movie series, if The Hunger Games occupies the pinnacle then The Maze Runner sits in the basement. After an encouraging and engaging first half of the first film, The Maze Runner h...

The Outrun, based on the memoir of the same name by Amy Liptrot, takes a motion picture staple – one of addiction and recovery – and re-invents it into something fresh and engaging. Presenting the narrative in a fragmentary, non-linear fashion...

The Runaways is a well-made but generic account of the rise and collapse of a musical group. In piecing together this partially fictionalized account of the mid-1970s girl rock band, The Runaways, writer/director Floria Sigismondi has erred on the...

It has been a while since Hollywood has produced a bona fide action hero, but it appears that one has finally emerged. Look out Vin Diesel, because the Rock appears ready to roll. He is the Schwarzenegger of the 2000s with a comprehensible accent....

The memory is not to be trusted, at least insofar as movie evaluation is concerned. When I first saw The Running Man in theaters more than 30 years ago, I believed it to be firmly rooted in the “dumb entertainment” category where many of t...

While watching Tom George’s See How They Run, two references came to mind (in addition to the obvious Agatha Christie ones): the oeuvre of Wes Anderson and Rian Johnson’s Knives Out. Although See How They Run isn’t as head-scratchingly quirk...