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Mr. Brooks is a curious mix of the campy and the intelligent, of high concept and low psychology. In spite of these contradictions, or perhaps because of them, it works. This is a tense and engaging thriller, the kind of movie where the audience m...

There was a time when David Lynch made coherent, challenging motion pictures. Love it or hate it, there's no doubt that Blue Velvet was one of the most talked-about motion pictures of the 1980s. Some consider it to be a masterpiece, while others vi...

Following several release delays, Mulholland Falls has finally reached theaters. Usually, when a distributor keeps putting off a film's opening, it's a sign that there's something wrong with the production, and, about halfway through Mulholland Fa...

The "1600" in the title, Murder at 1600, refers to a house number on Pennsylvania Avenue: the address of the White House. That makes this the third movie in three months (following Shadow Conspiracy and Absolute Power) to deal with high-level gov...

Like most Agatha Christie stories, Murder on the Orient Express is all about the “whodunnit?” Once that question has been answered, there’s little reason to revisit the story. Christie never cared much about character development and her ...

On the way to New York City, James Nashe (Mandy Patinkin) stops by the side of the road to offer a lift to a beat-up and bedraggled stranger. This man turns out to be Jack Pozzi (James Spader), a professional gambler. As the two get to talking, P...

It's not often that a slasher/thriller is released by a recognized distributor of art-house fare (in this case, Sony Pictures Classics), but that's the case with Mute Witness. Of course, it's somewhat unfair to pigeon-hole this movie by using the ...

With Mystic River, Clint Eastwood has rebounded nicely from the failure of his mediocre previous effort, Blood Work. Absent from the screen but behind the camera for the first time since Midnight in the Garden of Good and Evil, Eastwood concentrat...

Despite his reputation as one of America's foremost "serious" filmmakers, Oliver Stone's name under the "director" caption does not guarantee a good movie. I learned that lesson while enduring the seemingly-endless tedium of The Doors, and was rem...

The Neon Demon isn’t only the title of this film, it’s a description of what it represents. Beneath the pulsating music and strobe-lit fluorescent visuals, this is as pernicious and invidious a motion picture as one is likely to discover ...