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The original Taken, released in the United States in early 2009, was never intended to be anything more than a January throw-away. $145 million later, Fox had a different opinion of the French-made film, whose U.S. opening occurred months after it ...

Taken 3 is exactly what one might anticipate from an unnecessary sequel in a mediocre franchise. Even those desperate for a Liam Neeson action fix may be disappointed. The film, directed like its immediate predecessor by Luc Besson disciple Olivier M...

Takers is a standard-order heist flick that stays mostly true to its B-movie roots until the end, when director John Luessenhop attempts to inject a little seriousness (there's some slow-motion and even an operatic score) into an otherwise unpreten...

The Hollywood remake train continues unabated, racing through signals as it dives underground into New York City's subways. At least it can be said that this, the third version of The Taking of Pelham 123 (following the 1974 feature and a 1998 mad...

At its best, Terminal is a tasty, tangy parfait – a kaleidoscope of neon-tinged visuals and a twisty storyline with a tortured time line. The glue that holds everything together is Margot Robbie’s high-energy, off-kilter performance, influ...

When one approaches something like The Housemaid, one has to go with reasonable expectations. Freida McFadden's book, a perfect summer beach read, is the kind of page-turner that can easily be consumed in a few lengthy sessions. Transforming it fr...

The Long Walk represents one of Stephen King's rare ventures outside the horror genre. A dystopian thriller, the film adaptation alternates between lengthy, dialogue-driven sequences and sudden bursts of graphic violence. At times, it feels almost...

A period piece thriller set during the Great Depression, The Weight echoes aspects of the classic The Wages of Fear without being a copy and suffers only from the occasional too-obvious contrivance used to increase suspense. Director Padraic McKin...

For the most part, Netflix has two modes of films: high-profile prestige projects and “lesser” titles that use recognizable stars to lure bigger audiences. The Woman in Cabin 10 fits snugly into the latter category. For lack of a better descri...

When it was released in 1982, John Carpenter's remake of Howard Hawks' 1951 science fiction classic The Thing from Another World spurred much debate about not only which film was more effective but whether Carpenter's version fit better into the sc...