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Harry Rawlings (Liam Neeson) is a career criminal – a thief so meticulous that he has operated for thirty years without being caught. He plans each job ahead, writing all the details in a notebook, and leaves nothing to chance. But fate catc...

Anyone who has seen either Sicario or Hell or High Water, the two previous scripts credited to writer/director Taylor Sheridan, should have a good idea what to expect tonally from Wind River. Sheridan doesn’t write happy, escapist fantasies...

Winter's Bone offers a case study in the essential philosophical differences between independent motion picture thrillers and Hollywood/mainstream ones. The third feature from director Debra Granik and winner of two awards at the 2010 Sundance Fil...

Technically, the full title of Without Remorse is Tom Clancy’s Without Remorse. However, any similarities between the film version (credited to Taylor Sheridan and Will Staples) and Clancy’s novel are seemingly coincidental. This is a comp...

Calling Witness a crime thriller is technically accurate, but it does this layered and dramatically compelling movie a disservice. In fact, Witness is much more than a thriller. It's a love story, a fish-out-of-water tale, and an examination of c...

When one thinks of a Martin Scorsese film, the first images that come to mind are dark, violent, serious ones. His most celebrated movies are Taxi Driver, Raging Bull, Goodfellas, and The Departed - all intense, uncompromising samples of cinema at ...

Presumably because of his mammoth success helming the trilogy of Tom Holland Spider-Man movies, writer/director Jon Watts achieved sufficient clout to attract A-listers (and good friends) George Clooney and Brad Pitt to star in Wolfs. With such a ...

Finally - a superhero movie that doesn't feel like every other superhero movie. The Wolverine proves that it's possible to have a movie based on a comic book franchise that doesn't involve mass destruction, the fate of the planet, and a seemingly i...

For roughly its first third, Joe Wright’s The Woman in the Window, based on the best-selling novel by A.J. Finn, feels like a quasi-remake of Alfred Hitchcock’s Rear Window. It then shifts gears and enters Gaslight/Witness to Murder territ...

Woman of the Hour is the based-on-a-true-story tale of the so-called “Dating Game killer” whose appellation resulted from his appearance on the 1970s TV show, The Dating Game. As directed by Anna Kendrick, Ian McDonald’s screenplay does a go...