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Last year, when I heard about a film on the way called Notorious, I was concerned that there would be an "updating" of Alfred Hitchcock's film of the same name. Thankfully, this is not the case. Notorious is not an example of a remake, but it is ...

The Notorious Bettie Page is one good looking movie about one good looking dame. It tells of the career of '50s pin-up queen Bettie Page (Gretchen Mol), who was the object of countless masturbatory fantasies in the pre-Playboy era. Despite being a ...

Most films about teenagers fall into one of two categories: nihilistic tales about angst-riddled kids and saccharine-infused Hollywood confections. To its credit, Palo Alto occupies a welcome middle ground. With a loose, at times almost dreamlike s...

If you have read Persuasion or consider yourself a Jane Austen aficionado, this new Netflix-funded production hasn’t been made with you in mind. In fact, the more familiarity one has with Austen, the more likely the 2022 Persuasion is to be seen...

Pulp (pulp) n. 1. A soft, moist, shapeless mass of matter. 2. A book containing lurid subject matter, and being characteristically printed on rough, unfinished paper. "The path of the righteous man is beset on all sides by the inequities of...

It’s past time for Woody Allen to go gently into retirement. The Oscar-winning director, having made some of the 20th century’s most memorable comedies, has nothing left to prove and his recent output is indicative of someone with no more sto...

It wouldn't be a stretch to name legendary Japanese film maker Akira Kurosawa as one of the ten greatest motion picture directors of all time. Kurosawa's brilliant work speaks for itself, and, with over five decades of movie making to his credit, ...

It has been nearly a decade since Woody Allen last made an enjoyable movie (that distinction would go to either 2011’s Midnight in Paris or 2013’s Blue Jasmine, depending on individual preferences). Since then, over the span of five feature...

Scary Stories to Tell in the Dark, based on the novel by Alvin Schwartz (with illustrations by Stephen Gammell), is three-fourths of a good horror movie and one-fourth disappointing. The film, constructed as a series of episodic vignettes conn...