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There can be a lot of power in stories about addiction: the power to dishearten, the power to frustrate, and (on rare occasions) the power to uplift. Regardless of the substance at the core of the disease, movies about addiction follow a famil...

This is a classic example of a novel being condensed and edited to fit within the limited time allowed for a screen adaptation. The 2008 motion picture adaptation of Evelyn Waugh's Brideshead Revisited clocks in at 135 minutes - not short, to be s...

Bridget Jones's Diary is, quite simply, the finest motion picture released by Miramax Films since 1999's The Cider House Rules. Based on the novel by Helen Fielding, the screenplay for Bridget Jones's Diary (written by Four Weddings and a Funeral ...

Bridget Jones' Diary was an unexpected delight: a witty, enjoyable trifle that touched the heart while tickling the funny bone. Sadly, Bridget Jones: The Edge of Reason isn't anywhere close to being that good. This has the feel of a movie that e...

Candy is an Australian film that also offers a dose of familiarity. It's one of those drugs-are-hell movies that follows the time-tested path of watching two generally likable characters embark upon the road to self-destruction that results when re...

Circle of Friends is the motion picture equivalent of a dime store romance novel. It has all the requisite elements -- it's a period piece (the bulk of the story takes place in the late 1950s); boasts women with heaving bosoms and a young, virile ...

It's too bad the title The Good, the Bad, and the Ugly was already taken, because it would have been the perfect moniker for Fear and Loathing in Las Vegas, Terry Gilliam's adaptation of Hunter S. Thompson's book (emphasis on "the bad and the ugly"...

Firestarter, one of Stephen King’s most recognizable titles, reached bookstores in 1980 and was subsequently nominated for several prestigious awards. However, as has often been the case with King’s novels, the movie regurgitation, released in...

In the past few years, CGI animated films have fallen into a depressing rut. The objective has become getting a product out the door rather than taking the time and effort to produce something memorable. The result has been a generic, formulaic m...

The Covenant offers Guy Ritchie an opportunity to step out of his comfort zone and try something with more substance than is usual for him. Gone are the snarky one-liners and zingers that have become his trademarks. And, although there’s certain...