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Comparing Fantasia 2000 to the original Fantasia is in some ways unfair, especially considering the way movie-going methods and tastes have changed over the past six decades. Yet, even though the hand-drawn animation has been helped along by the la...

Thirteen years after Pixar sent a Dory on a hunt for Nemo, now it’s time for a little role-reversal. Finding Dory brings back many of the favorites from the 2003 animated hit, Finding Nemo, for another go-around. And, since it has been a long t...

The more things change, the more they stay the same. As we enter the summer of 2003, Walt Disney Pictures reigns supreme as the distributor of the best animated fare. Yet, less than a dozen years after Beauty and the Beast became the first (and t...

Like 2015’s Everest and In the Heart of the Sea, The Finest Hours offers a man vs. nature survival story; in this case, however, the storyline is more upbeat. Directed by Craig Gillsepie, the film is a fast-paced thriller guaranteed to get the ...

Frankenweenie is Tim Burton's animated remake of his live-action 1984 short of the same name. With its unabashed affection for classic monster movies and nods to Universal horror staples, Frankenweenie is almost certain to be beloved by fans of the...

Freakier Friday isn't a good movie, but it doesn't really intend to be. That's because Disney's late-to-the-party sequel to its 2003 remake of the earlier 1976 version (itself adapted from the book by Mary Rodgers) is pure product without a hi...

With 2003's Freaky Friday, Walt Disney Pictures is again cannibalizing its past. This is the third time the Magic Kingdom has turned out a version of Mary Rodgers' novel. The first instance, in 1976, starred Barbara Harris as the mother and Jodie...

For the briefest of moments, while watching Frozen, I felt like I was back in the early '90s, experiencing one of the memorable early "second wave" of Disney animated films. The sensation passed quickly - Frozen is, after all, in 3-D and uses CGI (...

For many years, Disney resisted the urge to craft big-budget sequels to popular animated films. During the “second wave” years of the 1990s, a cottage industry was born whereby cut-rate direct-to-home video follow-ups were made but the stu...

I feel bad for Hoyt Yeatman. I really do, although perhaps not as bad as I feel for myself for having sat through his feature debut. But here's a guy who has paid his dues. He got started way back in 1977 helping out in the special effects depar...