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Finally, there's a legitimate challenge to Disney. And, while it's unlikely that Twentieth Century Fox's Anastasia will break the Mouse's stranglehold on animated films, it's a good place to start. Anastasia is easily the best non-Disney anim...

Angel Baby, a tale of love, loss, and mental illness from Michael Rymer, swept through the 1995 Australian Film Awards, winning seven, including best picture, best director, best actor (John Lynch), and best actress (Jacqueline McKenzie). Howe...

For anyone who doesn’t remember the media popularity of Dr. Ruth Westheimer during the 1980s, Ask Dr. Ruth (a documentary made for the Hulu platform) may be little more than a curiosity – a competently mounted film providing insight into a...

There could be no more timely subject matter for a movie in early 2015 than race relations in America. Black or White, a sporadically insightful movie from Mike Binder, approaches some of these issues head-on without flinching or resorting to hysteri...

Regrets are a natural byproduct of the human condition and the older we get, the more we accumulate. The key to continuing to lead a content and productive life is to avoid being crippled by them – something that is becoming an increasing ch...

As family features go, Charlotte's Web may be the best we have seen in a while. Technically adept and surprisingly affecting, the movie translates E.B. White's children's book into a motion picture that will enthrall children and engage their paren...

In the terrorist-busting business, perception is more important than reality. That’s the thesis of Christopher Morris’ blistering black comedy, The Day Shall Come, and he delivers the message with the subtlety of a jackhammer. The most dis...

Christmas movies like this are enough to turn one into a Grinch or at least make one wish that the filmmakers would get a visit from the Ghost of Christmas Future. Why it is so hard to make a decent Christmas comedy? Not every movie has to be on ...

For a movie that was posited as one of 2024’s heavy hitters, Despicable Me 4 is strangely inconsequential, especially coming in the wake of the more substantive Inside Out 2. More of a “big screen cartoon” than a legitimate “animated featu...

When reviewing The Emoji Movie, “poop” is definitely appropriate. Or a frowny face. Or both.Oh, I suppose it’s not as bad as all that. After all, if one considers that this was made with the 7-10-year old group in mind, it passes muster....