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Underwater is all adrenaline and claustrophobia – a 95-minute non-stop excursion to the bottom of the sea where human beings are aliens and monstrous creatures haunt the depths. Director William Eubank (The Signal) understands that for a mov...

Adrian Lyne must have a fascination for examining the ins and outs of marital infidelity. Unfaithful, Lyne's first outing since the controversial Lolita, follows in the distant wake of Fatal Attraction and Indecent Proposal. In some ways, Unfaith...

A United Kingdom, Amma Asante’s chronicle of events that eventually led to the birth of The Republic of Botswana, serves three purposes: to provide a historical primer (somewhat fictionalized to make for more compelling cinema) of events in the Afr...

Slowly, the camera pans across the brick facade of a New York City apartment building, pausing only when it comes to a window. Inside, a nearly-nude couple is snuggling together, not yet awake to the new day. The camera moves on implacably, s...

Unstoppable, a 95-minute thrill ride from director Tony Scott, delivers the right level of adrenaline. Unfortunately, the sheer exhilaration is dampened somewhat by an overreliance upon action/thriller stock situations and characters. When the pr...

Venom represents the final result of a long-standing attempt by Sony Pictures to give the popular Spider-Man nemesis his own film. Influenced equally by the comic books and the Deadpool movies, Venom falls considerably short of the high bar s...

Over the last 20 years of his career, Steven Spielberg has often coupled a crowd-pleasing would-be blockbuster with a more serious-minded project. Thus, in 1993, he released Jurassic Park in tandem with Schindler's List. In 1997, there were The Los...

There's a longstanding movie riddle that asks the following question: Is it better to have a mediocre director and a great screenplay, or a great director and a mediocre screenplay? War of the Worlds, Steven Spielberg's entry into the 2005 summer...

If nothing else, WarGames is a great "time capsule" movie. Although many of the themes and concepts forming the foundation of John Badham's 1983 thriller are hopelessly out-of-date, this is one of the best films from its era to illustrate not only ...