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Bliss is one of those Twilight Zone/Outer Limits-type stories that, when presented at a high level, sounds compelling. With its blend of existential science fiction and character-based romance, it would seem to be as close to a can’t-miss pr...

An underdog team gets an infusion of outside talent (either a player or a coach) and goes from the bottom to the top, winning the championship in a game whose result is never in doubt. This is the plot of dozens of sports-related motion pictures, ...

Body of Lies is an adult thriller with such a high narrative density that even a brief trip to the restroom may result in key plot points being lost. The film is the antithesis of a slick, superficial feature like Eagle Eye. It both demands and re...

I don't know whether Markus Zusak's young adult bestelling novel The Book Thief should be considered "unfilmable" but the adaptation, written by Michael Petroni and directed by Brian Percival, makes a compelling case that it shouldn't have been fil...

Born on the Fourth of July is the middle chapter of Oliver Stone's so-called "Vietnam Trilogy." Begun with Platoon and concluded with Heaven and Earth, these movies are linked only by their connection to the war; they have no common characters. P...

In all likelihood, Robert Ludlum fans will not be pleased by this adaptation of one of the spy master's best-received novels. That's because The Bourne Identity uses the premise, a few character names, and some isolated incidents from the novel, t...

No matter how compelling and intriguing a real-life story may be, it doesn't necessarily translate into an equally compelling and intriguing motion picture. Breach is a case in point. Based on the widely publicized case of turncoat FBI agent Robe...

Note: This review contains spoilers. Although these relate to historical facts (since the main character is a real person), I realize most viewers won’t know about them and therefore may be “spoiled” by some of what is revealed below. Pe...

The era of the Universal classic monster movies lasted from 1931, when the studio released Dracula (featuring Bela Lugosi’s iconic portrayal), until 1948 when Abbott and Costello Meet Frankenstein took the venerable horror figures into parod...