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A Most Violent Year is a throwback - an homage to or recreation of the kinds of movies made by Martin Scorsese and Sidney Lumet during the 1970s. The setting isn't coincidental - J.C. Chandor's film transpires on the mean streets of New York ...

The "1600" in the title, Murder at 1600, refers to a house number on Pennsylvania Avenue: the address of the White House. That makes this the third movie in three months (following Shadow Conspiracy and Absolute Power) to deal with high-level gov...

Korean director Park Chan-wook has never played it safe, and his tilted sensibilities have sometimes paid off handsomely, whether in the form of the cult classic Oldboy or the Hitchcockian The Handmaiden (which remains Park's best film). His lates...

Oldboy could be considered a mystery. Or a bloody revenge picture. Or a twisted romance. Or a tale of extreme karma. Regardless of how you look at Oldboy, it's unlike anything you are likely to have seen before. Director Park Chan-wook starts w...

Pariah is obviously heartfelt, and is clearly a subject close to writer/director Dee Rees' heart; this is a remake/expansion upon a 2007 short film she made (with most of the same cast). The movie boasts an honest, unfettered performance by Adepero...

It’s hard to assign a rating to something like Pet Sematary. This new adaptation of the popular Stephen King novel matches the book when it comes to dread and nihilism. Bad things happen to good people with no hope of redemption, salvation, o...

Consider a movie that takes place in the Big Apple and features a heterosexual romance with an age gap, a dose of "Jewishness," a psychoanalyst, and an ending that doesn't pander to all the usual clichés. This may sound like Woody Allen - in fact...

Promising Young Woman, the auspicious, audacious debut feature of writer/actress-turned-director Emerald Fennell (she played Camilla Parker-Bowles in “The Crown”), defies classification. Is it a dark comedy with thriller overtones? Is it a...