2004 Top 10 - #7
December 24, 2004#7: Closer : Closer is an anti-romance film. At first, it appears to be about longing and love, but it quickly becomes apparent that the forging and breaking of relationships in this movie are conduits for gaining power and causing pain. Sex is more of a tool and a means of one-upsmanship than it is an expression of passion. The subject matter is compelling, disturbing, and potent, and is no further from "reality" than any of the great screen romances. (Although we would prefer to believe in happily-ever-after scenarios instead of the one proposed by Closer). Director Mike Nichols places the focus squarely on the actors, and it's worth noting that Natalie Portman and Clive Owen steal scenes from Oscar-winner Julia Roberts and two-time Oscar-nominee Jude Law. It's not that Roberts and Law aren't effective, but they are, at least in this production, outclassed. Portman and Owen will almost certainly be mentioned in a month when the 2005 nominees roster is read. Admittedly, if you enjoy only sunny, optimistic movies, Closer is not for you. But if you appreciate films that delve into the darker side of humankind's psyche, this picture offers a tough-to-shake snapshot.
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Ode to Sundance/Nimoy & Shatner - Together Again
For four years, from 1998 through 2001, I was a regular attendee at the Sundance Film Festival in Park City, Utah. My sojourns began in 1998 (less than six months after I first went to the Toronto Film Festival), when I was starting to explore the ...
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The Romantic Comedy File
When it comes to genre films, a certain amount of formula isn't a bad thing. Such is the case with the romantic comedy, where plot has always taken a back seat to two more important characteristics: chemistry and character likeability. For a ...
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Rewinding 2006: The Top 10
Like all lists, Top 10s are extremely personal. I would be surprised if anyone else (critic or otherwise) has an identical Top 10 list to mine. But therein lies the enjoyment of examining individual Top 10 lists: they provide insight into the ...
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