Search for 1

Is this the future of blockbuster movies? Films made with more concern for the international box office than the domestic one, where the universal language is the clash of pixels? It’s no secret that, based exclusively on its U.S. receipts, ...

This is one sequel it’s a pleasure to review. Although not as fresh and lively as the first Paddington, the second feature based on the popular children’s book series by Michael Bond offers some of the best family entertainment outside an ...

With a title like Pain & Gain and Michael Bay at the helm, this review looked like a great opportunity for a vitriolic screed, but that's not going to happen. Defying expectations, Pain & Gain not only represents one of the best movies Bay has made...

Most films about teenagers fall into one of two categories: nihilistic tales about angst-riddled kids and saccharine-infused Hollywood confections. To its credit, Palo Alto occupies a welcome middle ground. With a loose, at times almost dreamlike s...

How's a studio to proceed when it wants to do something with a classic, family-friendly property but believes a straightforward remake to be redundant? The solution, as recently explored by several would-be franchises, is to expand the canvas. Ma...

Paper Towns is the third coming-of-age story to reach screens during the summer of 2015, following in the wake of the vastly superior Me and Earl and the Dying Girl and Dope. Based on the novel by John Green, Paper Towns is an exercise in artifice. T...

Whatever else it may be cited for, The Paperboy, Lee Daniels' follow-up to Precious, is not going be called "the feel-good movie of 2012." An unsettling period piece mystery (the period being the late 1960s), The Paperboy is steeped in the so-calle...

Someone once said this about the United States' justice system: "If ten guilty men must go free to prevent one innocent man from falsely going to prison, so be it." This philosophy explains why, at least in theory, every accused criminal is presu...

With a mostly female cast and a poetic title, it might be easy to assume that Paradise Road is a 1997 version of Mike Newell's effervescent Enchanted April. However, apart from those stated similarities, there's little to connect the two films. ...

Parallel Mothers, Pedro Almodovar’s 15th movie since exploding onto the international scene with Women on the Verge of a Nervous Breakdown, is two movies crammed into one and both suffer at least a little by having to share time with the other. ...