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I've seen movies like this more often than I'd like to admit: glitzy thrillers with less intelligence than a smart rutabaga where big-name actors pick up a paycheck while trying with limited success not to embarrass themselves and the studio keeps ...

Regardless of how it performs at the box office, this much is clear: Paranormal Activity 2 is a mistake. The clumsy and obvious byproduct of the financial success of its predecessor last Halloween, this movie has no reason for existing except to p...

Paranormal Activity 3 is one of those obligatory sequels: films that use an existing template and attempt to populate it with different actors and new ways of scaring audiences. There are two significant problems with this approach here: the "first...

They could have called this Paranormal Inactivity. It's a rare horror franchise indeed that manages to remain fresh and creepy by the time it arrives at installment #4. Paranormal Activity, despite a terrific beginning, quickly grew stale and r...

Parasite opens with a stark reminder that the obsession with smartphones and handheld Internet-enabled devices is a worldwide phenomenon. It moves from a relatively sedate perspective of a family scrabbling to stay afloat in a society of high ...

It never fails to amaze me that something as essentially light and pointless as Disney's remake of The Parent Trap can clock in at over two hours in length. This is one of those movies that has difficulty sustaining any kind of comic or dramatic m...

Pariah is obviously heartfelt, and is clearly a subject close to writer/director Dee Rees' heart; this is a remake/expansion upon a 2007 short film she made (with most of the same cast). The movie boasts an honest, unfettered performance by Adepero...

Parker delivers just about what the average viewer would expect from it: a Jason Statham-flavored action thriller (as opposed to, say, a Matt Damon-flavored action thriller or a Rock-flavored action thriller). Statham, like John Wayne in his heyday...

Sally Potter’s quirky The Party owes a lot to a generation’s worth of French “gathering” films in which a bunch of characters come together for dinner (or something similar) and all hell breaks loose. Commonalities among these films in...

Passengers is an art-house science fiction movie that somehow got made by a major studio with A-list stars. The film owes more to castaway stories than traditional spacefaring tales and, at least during the first half, it’s ripe with existentia...