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If I wanted to be kind, I’d call Luca Guadagnino’s Suspiria remake “visually striking” and “stylish.” If I wanted to be brutally honest, I’d call it “tedious”, “pretentious”, and even “painful” (although not in a good ...

Aspects of The Swan beguile and engage while others verge on the pretentious (like quoting Tarkovsky). As a slice-of-life/coming-of-age tale, The Swan hits many of the right notes but as an attempt to be something more, it paradoxically becom...

The Sweet Hereafter is film maker Atom Egoyan's most compelling movie to date. Amplifying many of the themes explored in his previous outing, Exotica, the Canadian director/writer/producer shows the powerful effects of grief and anger on a com...

Note to readers: this review contains spoilers. While I do not believe that the revelation of certain plot points will damage the overall viewing experience, those who wish to see Sweet November without having previous knowledge of key elements wo...

Sweet Virginia is an odd title for a movie set in Alaska. An early version of this moody, atmospheric neo-noir thriller was located in the Appalachian Mountains; however, when director Jamie M. Dagg came on board, he moved the setting far to t...

Swept Away, or Swept Away... by an Unusual Destiny in the Blue Sea of August, as it is more properly known, was made during the most fertile period of director Lina Wertmuller's career. Wertmuller, whose entrée into filmmaking came via working as...

Hamburg. Nazi Germany. 1939. Peter (Robert Sean Leonard), Thomas (Christian Bale), and Arvid (Frank Whaley) are three "Swing Kids" -- young rebel Germans who have fallen in love with the forbidden: American movies, British fashion, and Swing musi...

A Swingers Weekend, writer/director Jon E. Cohen’s spouse-swapping tale, starts out with a strong sit-com vibe before taking an abrupt turn during the third act into Lifetime TV movie territory. For a movie that wants to explore truths about...

The Switch made me want to gnash my teeth in frustration. Nested within the restrictive confines of a middling romantic comedy is a secondary plot of some immediacy and power. It results in several moving scenes and allows Jason Bateman's acting ...

"You know what the problem with Hollywood is - they make shit." It is with that statement - not profound, but undeniably true - that Swordfish opens. And, while this movie isn't going to convince anyone that the major studios have suddenly turn...