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It’s impossible to catch lightning in a bottle twice, yet that’s what director Danny Boyle is trying to do with his belated sequel to Trainspotting. More an extended epilogue to the cult 1996 movie than a stand-alone story, T2 (the title is...

Errol Morris may be unique among high profile, veteran documentary filmmakers in that his primary interest is in the people he interviews. His movies are real-life character studies not pseudo narratives, political rants, or "serious" examinations ...

Does the fact that Tag is loosely based on a real story make it more enjoyable? Not really, although it illustrates the absurdity of some human endeavors. It’s a red herring designed to distract from an underlying truth about this movie: it ...

Michelle Williams must have an affinity for appearing in movies about melancholy relationships. Although Take This Waltz is by no means as big a downer as Blue Valentine, neither does it adhere to Hollywood formulas about how romantic dramas should...

The original Taken, released in the United States in early 2009, was never intended to be anything more than a January throw-away. $145 million later, Fox had a different opinion of the French-made film, whose U.S. opening occurred months after it ...

Taken 3 is exactly what one might anticipate from an unnecessary sequel in a mediocre franchise. Even those desperate for a Liam Neeson action fix may be disappointed. The film, directed like its immediate predecessor by Luc Besson disciple Olivier M...

Takers is a standard-order heist flick that stays mostly true to its B-movie roots until the end, when director John Luessenhop attempts to inject a little seriousness (there's some slow-motion and even an operatic score) into an otherwise unpreten...

The Hollywood remake train continues unabated, racing through signals as it dives underground into New York City's subways. At least it can be said that this, the third version of The Taking of Pelham 123 (following the 1974 feature and a 1998 mad...

Tammy is a road trip movie and, like many road trip movies, it embraces a meandering, aimless tone. It's often said for films of this sort that it's the journey that matters, not the destination. Unfortunately, in this case, neither is worth the pr...

Seen in "standard" (non-IMAX) 3-D. Tangled (which was called Rapunzel until the 11th hour) represents Disney's application of "new" technology to an old format. In many ways that matter, this film recalls the recent classics of the Magic Kingdo...