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There have been countless movies reflecting upon life in the 1960s. Most of those focus on the hippie movement, the civil rights explosion, and Vietnam. In the Shadow of the Moon reminds us that the '60s and early '70s weren't all gloom and unres...

The last scene of In the Valley of Elah may be the most ridiculously ham-fisted and over-the-top moment in all of 2007’s supposed prestige cinema. This image is so blatant and cheesy that it makes one wonder whether director Paul Haggis’ succes...

In This Corner of the World is as atypical an animated feature as one is likely to find washing ashore in the United States. Although fare of this sort – hand-drawn, serious-minded, narrative-based – is common in Japan, where Studio Ghibli...

Andrew Niccol is fascinated by the impact of futuristic technologies on society. His gripping feature debut, 1997's Gattaca, explored a civilization in which genetic tinkering rendered natural reproduction obsolete. With In Time, he is again looki...

Undoubtedly, some reviews are going to describe Inception as confusing. Such a description confounds me, and may be more indicative of how accepting people have become of screenplays that allow for no ambiguity and traverse plotlines by blazing tr...

The problem with An Inconvenient Truth isn't the message; it's the messenger. If the film's goal is to educate and warn about Global Warming, why use one of the most divisive political figures of the last decade as the spokesman? I don't have a p...

When I watch a comedy like The Incredible Burt Wonderstone, I find myself wondering whether plot and character development should be considered in an evaluation of the production. After all, the movie has been made with the intention of making peop...

Possible Spoilers: This review reveals some of the cameos in The Incredible Hulk. Those who wish to be surprised by these appearances would do well to stop reading now. For five years, Marvel has been trying to figure out what to do with one of ...

Sequels generally exist for one of two reasons: because there’s a creative, story-based purpose or because the earlier film made a ton of money. Like most of the Pixar sequels, Incredibles 2 has been brought to the screen because Disney saw ...

The Incredibles may become the first Disney/Pixar film not to dominate at the box office. That statement has nothing to do with the film's quality - in fact, The Incredibles is among the best of Pixar's digitally animated movies. However, it's go...