Search for 2

Interview is a remake of the 2003 Theo Van Gogh film of the same name. Van Gogh, who was murdered in 2004 by a Muslim extremist, had planned to helm the English-language version himself. In his absence, Steve Buscemi stepped in. The finished prin...

Watching Into the Abyss, I had the overwhelming sense that, somewhere along the way, Werner Herzog lost his way. It happens to the best filmmakers, and that's one of the perils of making a documentary - events don't always go where the man behind t...

On some level, I feel that I should have been able to enjoy Into the Blue. It has all the elements one would expect from a "so bad it's good" feature: cheesy dialogue, a script that could have been written by two chimpanzees, acting that would mak...

Into the Storm is as straightforward a disaster film as you're likely to find. It has all the characteristics of the genre. The narrative trajectory is linear and uncomplicated. The two-dimensional characters are entrenched in their own flimsy, soa...

There's something seductive about the idea of turning one's back on civilization and all its trappings. Many of us entertain this thought during a daydream or in those gentle minutes between wakefulness and sleep, but we don't view it as the act of...

Into the Woods left me out in the cold. The long-gestating cinematic adaptation of Stephen Sondheim's fairy tale-infused Broadway musical, Into the Woods can claim a clever screenplay and a few enjoyable performances but little else. The generic ...

For whatever reason, the Coen Brothers' comedies (such as Raising Arizona, The Hudsucker Proxy, and The Big Lebowski) have always garnered less critical attention than the filmmakers' more serious fare (such as Blood Simple, Barton Fink, and Fargo)...

At the beginning of The Intouchables, a caption informs us that this is "based on a true story." The Intouchables is a very good film - uplifting, funny, heartwarming, etc. - but its strengths are unrelated to the degree (or lack thereof) of factua...

Introducing the Dwights is a coming of age story that (thankfully) doesn't play coy with issues of sexuality. The film, from Australian director Cherie Nowlan, doesn't always move smoothly (it has a tendency to jump around a little, especially in ...

The Intruder is an unwelcome throwback to the late 1980s and early 1990s when titles like Unlawful Entry, Single White Female, and The Hand that Rocks the Cradle were inexplicably the rage. This new take on an old idea won’t challenge The St...