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A combination of fanciful conjecture and historical fact, Professor Marston & the Wonder Women represents not only a historical primer on sexual repression during the first half of the 20th Century but unlocks the code to “understanding” wh...

There’s something distinctly off-putting about Johnny Depp’s dying-from-cancer movie, The Professor (original title: Richard Says Goodbye). It has to do with the idea that someone, once given a death sentence resulting from metastatic lun...

Profile belongs to a burgeoning genre of low-budget films that have collectively been dubbed “screenlife” movies. The natural successor to “found footage” productions, these narratives are presented entirely on a faux computer screen, ...

Call Project Almanac a "shaky-cam special", and it's a damn shame. The resultant production, both shaken and stirred, transforms a potentially entertaining pulp time travel story into a misbegotten exercise in frustration. It takes what...

I wish there were more movies like Project Hail Mary – films that tease the intellect while appealing to emotion. A science fiction tale that focuses primarily on existential elements rather than space opera ones, the film gives a more believabl...

Underwritten yet nevertheless enjoyable on a visceral level, Project Power is the latest Netflix film to use a familiar template: start with an intriguing premise, sign a bankable star (or two), employ an exotic (or at least non-standard) locat...

The moral of this story is: No matter how trustworthy he may be, never leave a teenager home alone while you go away for the weekend. Project X purports to offer a new twist on a very old tale: the out-of-control house party. Variations of this ...

Spoilers, I suppose… Sony is releasing Prom Night under their "Screen Gems" imprint. Gems? More like turds. By its nature, the slasher film is not a terribly deep or complicated effort. To be successful, all such a movie needs is a sympath...

Despite its awkward and uneven elements, The Prom offers enough high-energy moments to be seen as a passable motion picture adaptation of the stage play written by Bob Martin and Chad Beguelin. As movie adaptations of musicals go, this one is ...

In 1979, science fiction was thriving, but the movie community, becoming gorged on lightweight space opera fare like Star Wars, was unprepared for what Ridley Scott delivered with Alien, which was as much horror as it was sci-fi. Since the iconic x...