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The Promotion is a nice little comedy about what it takes to climb the corporate ladder and the toll such actions take on the psyche of a decent individual. Despite the presence of Seann William Scott, who will forever be known as Stifler from the...

Maybe it's my math/engineering background, but I found Proof to be fascinating both on the stage and on the screen. Actually, appreciation of the film demands little math knowledge (aside from recognizing that a "proof" is a logical set of equatio...

A Prophet (Un prophète in its home tongue) is director Jacques Audiard's gangster-themed twist on the rags-to-riches story. Although it's a genre staple to present the story of an innocent corrupted by the criminal world and rising to a position ...

The Proposal is a standard-order, by-the-book romantic comedy that offers nothing remotely fresh or new while following a formula even neophytes know by heart. For some people, that's enough. All a certain segment of the audience wants from roman...

It is said that revenge is a dish best served cold. The Proposition illustrates that, extending the metaphor, revenge is more often bitter than sweet. Gritty to the point of being disturbing, The Proposition examines the revenge thriller not as t...

Whatever its flaws, one can certainly not accuse Prozac Nation of avoiding risks. The movie, directed by Erik Skjoldbjaerg (the original Insomnia) and adapted from the book by Elizabeth Wurtzel, doesn't exactly go out on a tightrope, but it frequen...

Psycho Killer is all about misdirection. It starts out as one thing and ends up someplace completely different. The first scene, a shot through the front windshield of a speeding car, offers up a grim aesthetic that is only amplified through the e...

There's something almost old-fashioned about Michael Mann's Public Enemies, a mostly factual re-telling of the descent and death of John Dillinger (Johnny Depp), one of the 1930s most infamous bank robbers. More drama than thriller, the movie does...

Puccini for Beginners has a lot less to do with opera than it has to do with a sit-com view of life in the Big City. Not that the approach is inherently bad, and director Maria Maggenti has fashioned a reasonably entertaining movie that borrows he...

Pulse is the latest Japanese horror film to receive an English-language remake. Not having seen the original, I can't make comparisons, but I can state that this is the worst translation within the genre to date, outdistancing such worthy contende...