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Suicide. Despite its growing prevalence in modern society, few filmmakers tackle this issue, at least not in a serious fashion. The Valley, set in California’s tech-heavy Silicon Valley, examines the impact of a young woman’s suicide on tho...

In the 1930s, monster movies were the staples of Universal Pictures' line-up, a cash cow as the industry metamorphosed from silent films to talkies. Although the monsters came in all sizes and flavors, none could match the appeal of the "Big Three...

Vanilla Sky (the name refers to a painting by Monet) is the quirkily titled American remake of the 1997 Spanish language feature, Open Your Eyes. Like its predecessor, Vanilla Sky is a mind-bending excursion across genres - a warped fairy tale tha...

Writer/director Javier Fuentes-Leon’s The Vanished Elephant is a moody, atmospheric neo-noir crime story that starts in traditional territory before taking the viewer on a trippy, mind-bending journey where the reliability of the narrator com...

At first glance, Vantage Point looks like it might be inspired by Rashomon - different points-of-view of an incident leading to some greater revelation about the nature of truth. However, while the decision to reveal the story like a puzzle throug...

The Vast of Night begins with an image of a TV set. A show is just beginning as the camera moves in, allowing all other details but the grainy black-and-white image to fade away. A voice, sounding suspiciously like Rod Serling, tells us “You...

Vengeance tries for something different and succeeds. But, although screenwriter/director B.J. Novak swings for the fences, he doesn’t quite get the ball out of the park. This Blumhouse production marries fish-out-of-water elements with some phi...

Venom represents the final result of a long-standing attempt by Sony Pictures to give the popular Spider-Man nemesis his own film. Influenced equally by the comic books and the Deadpool movies, Venom falls considerably short of the high bar s...

If 2018’s Venom felt like an afterthought, then the sequel, Venom: Let There Be Carnage, feels like an afterthought to an afterthought. With its short running length, this drunk-on-CGI production is less a movie and more the outline of somet...

In 2018, an argument could have been made that a Venom-centric movie was sensible, preferably as a lead-in to the expected big-screen clash between the inky symbiont and his web-crawling nemesis, Spider-Man. (The previous motion picture throwdown ...