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The Virgin Suicides is Sofia Coppola's directorial debut, and its effectiveness illustrates that she's better behind the camera than she is in front of it. (Most movie-goers will remember her ill-fated attempt to portray Michael Corleone's daughte...

The Virginity Hit takes the first-person, pseudo-documentary approach popularized by horror films such as The Blair Witch Project and applies it to the coming-of-age/teen comedy genre. Perhaps surprisingly, it proves to be a good fit, although que...

Two distinct problems of execution keep The Visit, M. Night Shyamalan's "comeback" from being anything more than another disappointing title on an increasingly uneven filmography. Despite a promising premise and effective "Shyamala...

It's a pleasant thing to encounter occasionally a movie in which people are portrayed as decent (if flawed) individuals. In The Visitor, there are no human villains. No one wears a black hat. The antagonist is The System - the nameless, faceless...

Vivarium could have been written by Steven King, but it wasn’t. It could be an episode of The Twilight Zone, but it’s not. The movie, whose story/screenplay is co-credited to director Lorcan Finnegan and Garret Shanley, is a study in the p...

Back in the late 1980s, the team of Alan Menken and Howard Ashman gave new life to Disney animation by re-interpreting several classic stories as musicals. Unlike previous animated films that had incorporated the occasional song, Menken/Ashman...

Volcano is one of those films (like last year's Twister and Independence Day) for which it doesn't matter what I (or any other critic) have to say. Disaster movie junkies will go to get their fix; those who can't tell the difference between Th...

All the world is in love with Almodovar, or at least so he would have us believe. His full name is Pedro Almodovar, but no one bothers with the first name, least of all Pedro. His movies trumpet "A Film by Almodovar" with pride, and his latest, Vol...

The only reason any male could have for seeing The Vow is the hope of getting laid afterwards. The only reason any female could have for seeing The Vow is if she views the plots of Harlequin romance novels as the height of modern storytelling. Thi...

Vox Lux opens with a shock to the system – a scene so stark and well-crafted that its aftermath lingers even as it informs the life decisions of Celeste, the movie’s central character. The movie starts out immersed in normalcy – a high s...