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Reprinted with permission from The Vampire Gazette, Volume 348, Issue 5, May 1994. Throughout the ages, human beings have harbored a not-so-secret fascination about our kind. "Children of the night" they call us, romanticizing the price that we...

Dallas Buyers Club tells the story of Ron Woodroof, a raging heterosexual homophobe who, over the course of several years in the mid-to-late 1980s, was transformed by circumstances from a card-carrying bigot into a staunch gay rights' activist. Aft...

In the Pantheon of Marvel Comics superheroes, Daredevil is more of a demi-god than a full-blown deity. He's a notch below Spider-Man, The Fantastic Four, The Hulk, and The X-Men. 20th Century Fox has acknowledged this when determining Daredevil's...

During the early part of his career, filmmaker Richard Linklater had a fondness for freeform films that were strong on setting and character interaction and light on narrative. His first three professional productions – his calling-card Slackers...

Is revenge a viable path to redemption? That's the question posed by Niels Arden Oplev's Dead Man Down, the Danish director's introduction to U.S.-funded productions. With a cast populated by serious actors (not necessarily A-list stars but men and...

Perhaps the most complimentary thing that can be said about Barney Elliott’s directorial debut, The Debt, is that it has the best of intentions. Unfortunately, a worthy message doesn’t necessarily equate to a good movie and, in this case, ...

Calling Delivery Man a "comedy" is a bit of a stretch, because it's rarely funny. Dumb, yes, but not in a way that's worthy of more than a half-hearted chuckle. Then again, it functions even worse as a "drama" because the production insults the vie...

Despicable Me 2 feels like a opportunity to get together with some old friends, hang out, and discover what they've been up to. The movie lacks the high voltage wit of its predecessor but the breezy charm is still in place and, especially for kids,...

Despicable Me 3 is an example of how even the most promising animated franchises can hit a wall if allowed to continue too long. One can understand why Universal greenlit this film. The previous two (or three if you count the spin-off Minions)...

Sixteen years after her death, Princess Diana is still capable of generating interest, which is probably the only reason why this dull, pointless movie was greenlighted. A scattershot treatment of the paparazzi darling's life during her post-Charle...