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Blackberry is a classic rags-to-riches-to-rags story; a feel-good tale that transforms into a meditation on arrogance and neglect. Director Matt Johnson, working from a screenplay he co-wrote with producer Matthew Millar, brings a light touch ...

Watching The Bling Ring, Sofia Coppola's exploration of today's "celebrity culture," is an uncomfortable - bordering on unpleasant - experience. The problem isn't the depiction of the underside of America's celebrity obsession but the manner in whi...

Blue Beetle is emblematic of what the superhero movie has become in 2023: an overlong slog through well-worn tropes. Gone are the zest and liveliness that characterized earlier films or the experimental genre-bending of the MCU’s salad days. Put...

It's difficult to overstate what director Abdellatif Kechiche has achieved with Blue is the Warmest Color, his powerful (if controversial) look into the life of a young girl as she experiences the highs and lows of first love. This may seem like a ...

It's all about Cate. Blue Jasmine, Woody Allen's latest, is a loose reworking of Tennessee Williams' A Streetcar Named Desire. It's narratively uneven but the occasional lapses of focus are rescued by Cate Blanchett's riveting lead performance. Th...

"I finished shooting The Blue Kite in 1992. But while I was involved in post-production, several official organizations involved with China's film industry screened the film. They decided that it had a problem concerning its political 'leanings,'...

For many years, the narrative existed that Hollywood didn’t understand how to make a good Stephen King movie. Oh, there were counterexamples and The Shining has its supporters (the author is not among them) but the prevailing mantra went somethi...

I don't know whether Markus Zusak's young adult bestelling novel The Book Thief should be considered "unfilmable" but the adaptation, written by Michael Petroni and directed by Brian Percival, makes a compelling case that it shouldn't have been fil...

Bottoms exists somewhere in between a satire and an homage to John Hughes-style teen rom-coms, reimagined for today’s LGBQT+ friendly audiences. When it works, which is quite often, it does so for the same reason that Hughes’ best-known offeri...

In 2013, at the time of the release of his eleventh feature film, The Wind Rises, legendary Japanese animated filmmaker Hayao Miyazaki announced his retirement. It wasn’t the first time he had done so and, as on previous occasions, it didn’t s...