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Kiss Kiss Bang Bang is the breezy directorial debut of Lethal Weapon screenwriter Shane Black. Black knows film noir inside and out, because he uses the basic template here. He jazzes things up by employing an aware and self-deprecating narrator ...

Kiss of the Spider Woman is a fascinating character study - an exploration into how a bond of kinship can develop between two very different men, each of whose present circumstances is erected on a foundation of secrets. The film, based on the nov...

Lady Vengeance is the conclusion of South Korean director Park Chan-wook's "Revenge Trilogy." (The other two episodes: 2002's Sympathy for Mr. Vengeance and 2003's Oldboy.) Over the span of three films, Chan-wook has examined many aspects of the co...

One of the most consistent makers of excellent motion pictures during the 1980s and 1990s has been Ken Loach. With a resume highlighted by such unforgettable titles as Hidden Agenda, Riff-Raff, Raining Stones, and Ladybird, Ladybird, Loach is reco...

George A. Romero may have been the originator of the modern zombie movie, but, at least with Land of the Dead, he hasn't done much to refine it. The zombies are creepier looking than in the past, and the gore is more hard-core, but the story still...

Last Breath has epic potential but opts instead to present its gritty survival story with as little fat as possible – so little, in fact, that it cuts too close to the bone at times. Based on a true story, it tracks its documentary source materi...

If Vin Diesel is looking for a third franchise to add to his resume, The Last Witch Hunter might be considered a “safe” option. His character, Kaulder, an 800+ year old warrior for the forces of good, doesn’t require Diesel to step ...

The Lazarus Effect begins with an intriguing premise then proceeds to squander all the early goodwill through a slow, inexorable descent into cheap horror gimmicks. What begins as an intriguing blend of such diverse sources as Frankenstein, the 1990 ...

Around the time that Mike Figgis began production of Leaving Las Vegas, John O'Brien, the author of the book upon which the film is based, shot himself in the head. This story, according to O'Brien's father, is his son's suicide note. And what an...

For writer/director Brian Helgeland (Payback), Legend represents a visit to Scorsese territory; sadly, the result falls far short of the visceral experiences we typically are accorded by the legendary Oscar winner. Granted, it’s a tall order to...