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As promised, Jay and Silent Bob are back. The quirky duo who hung around in the background of Kevin Smith's 1994 debut feature, Clerks, have returned to the screen for the followup, Mallrats, the middle picture of the so-called "New Jersey Trilogy...

A Man Escaped is widely considered to be among French director Robert Bresson’s greatest achievements (if not his greatest achievement). Along with his other highly-regarded films, Pickpocket and The Trial of Joan of Arc, A Man Escaped emp...

17 years ago, the film industry dusted off a popular 1960s spy show, created a bloated, big-screen iteration with stars like Ralph Fiennes, Sean Connery, and Uma Thurman, and watched it implode at the box office. Terrible reviews and public indiffere...

The men in black at Columbia Pictures made the right decision when they elected not to screen Man of the House for critics. The film fails in so many ways that it's impossible to imagine it getting more than a handful of positive reviews; all but ...

Few will argue that The Man with the Golden Gun is the silliest of all the James Bond motion pictures (Casino Royale excepted). From the return appearance of Sheriff J.W. Pepper (Clifton Davis) to the ridiculous martial arts fight where two s...

Hollywood has a long albeit checkered history of mismatched buddy cop films. I don't know when the trend started, but it was elevated in popularity by the partnership of Eddie Murphy and Nick Nolte in 48 Hours. 23 years later, director Les Mayfie...

Let me start with a few brief editorial comments about Lars von Trier. Key to understanding my views about Manderlay is my disclosure of a belief that in order to be able to criticize something, you have to have first-hand familiarity with it. Vo...

March of the Penguins does what all good National Geographic documentaries do: it informs and entertains while providing interesting wildlife footage. Unfortunately, it's not cinematic. The issue isn't whether the film is worth seeing, but whethe...

Apparently, I approached this production with a misapprehension. I was under the impression that Margaret Cho: Assassin was intended to be a filmed comedic performance. What I got instead was an 85-minute political rant from a liberal Asian Ameri...

The Martian is the latest in a series of realistic science fiction films - movies that eschew the space opera elements of the genre and concentrate instead on believable aspects. Following in the wake of Christopher Nolan's Interstellar (and feat...