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There are times when Novocaine is a blast – mostly when it’s relying on the easygoing charisma of actor Jack Quaid, leaning into chemistry between Quaid and Amber Midthunder, or having fun with some of the more unconventional aspects of the le...

Three years after the modest 2013 hit Now You See Me, the filmmakers decided to make an ill-advised sequel, even though the original had all the earmarks of a stand-alone film. Sure enough, the second installment underwhelmed, shedding nearly ever...

Sometimes, it's all about execution. There are times when a movie can boast a compelling premise, yet translating that idea into reality defeats the filmmakers. Maybe the screenplay sucks, the actors aren’t up to snuff, or the tone is all over t...

Oh, Hi! can best be described as an interesting failure. The underlying idea seems promising: start out the movie as a standard-order rom-com then shift into Misery territory. Make the whole thing a dark, twisted comedy that offers commentary on t...

You know there's a problem when the most interesting character in a film called Oliver Twist is a supporting woman named Nancy. Technically sound and surprisingly faithful to its source material, Roman Polanski's version of Oliver Twist comes acro...

The recipient of eight Oscars (including Best Picture), On the Waterfront represented a defining moment in the careers to two key participants: actor Marlon Brando and director Elia Kazan. A gritty, uncompromising look at union corruption on the d...

For his tenth feature film, writer-director Paul Thomas Anderson once again reinvents himself. A filmmaker who has consistently resisted pigeonholing with projects as diverse in tone and content as Boogie Nights, Magnolia, and Phantom Thread, Ander...

Arguably, some of the issues addressed by One Flew Over the Cuckoo's Nest are not as relevant in 2006 as they were in the mid-1970s, but that realization in no way diminishes the film's dramatic impact. This was the second English language film fo...

Perhaps I am unduly harsh on motion pictures that waste a promising premise. One Last Thing is a case in point - the underlying concept is rich with possibilities, yet director Alex Steyermark (Prey for Rock 'n Roll) and writer Barry Stringfellow ...

It seems that hardly a year goes by without a new cinematic adaptation of one of Shakespeare's plays, and, of late, Kenneth Branagh's name has become intimately entwined with that of the Bard. While Branagh, who helmed Henry V, Much Ado About Noth...