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Upon its 1982 release, a single notable characteristic could be attributed to Poltergeist: in an era when horror was increasingly being dominated by R-rated slasher movies, it maintained a more child-friendly PG rating. (Note: By today's standard...

The Postman, an Italian film from British director Michael Radford (White Mischief, The Elixir), is a charming piece of cinema that takes several comfortable formulas and expands upon them in ingenious and emotionally-satisfying ways. There's a li...

Finally – for the first time since the original 38 years ago – a Predator movie I can enjoy. The reason is simple: it finally breaks the formula. The previous Predator films have largely lived in the shadow of the 1987 John McTiernan/Arnold Sc...

Pretty Persuasion opens with more promise than it closes with. It doesn't take long for the cattily satirical tone to become monotonous as the characters refuse all attempts at development and the plot treads water into the shallows. The film tri...

Pre-Victorian writer Jane Austen, who died in 1817, has had more books adapted for film in the last twelve months than prolific contemporary authors Michael Crichton and John Grisham. In a very real sense, the movie world is undergoing an "Austen ...

When Hollywood adapts, we get Bewitched and The Dukes of Hazzard. When the British film industry adapts, we get Shakespeare and Austen. This explains why there is another version of Pride & Prejudice to be digested. And, while nothing will come clo...

The Catholic community's outcry against Priest has already begun, and it will doubtlessly become more intense before it abates. One of the most disturbing elements of any organized protest of this sort is that most of those involved will not have ...

Every horror fan deserves the occasional (decent) fix, and in the midst of one of the bleakest movie months of the year, Primate delivers. There’s nothing terribly original about Johannes Roberts’ rabid chimpanzee tale, but that’s kind o...

Consider a movie that takes place in the Big Apple and features a heterosexual romance with an age gap, a dose of "Jewishness," a psychoanalyst, and an ending that doesn't pander to all the usual clichés. This may sound like Woody Allen - in fact...

The Producers is a movie based on a play based on a movie about a play. And that's probably the funniest thing about it. In 1968, Mel Brooks made his big-screen directorial and writing debut with The Producers, a slapstick farce about how two B...