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Riff Raff reminds me of one of the avalanche of post-Pulp Fiction movies that tried (and mostly failed) to latch onto the vibe that the Tarantino film gave off. Riff Raff owes a lot to Tarantino (and probably just as much to the Coen Brothers) ...

As far as I'm concerned, it's official: Hollywood has lost the art of how to make horror films. Consider this year's entries as Exhibit A - everything from White Noise to The Ring 2 has been horrible. There's not a worthwhile film in the bunch. ...

Rio Bravo, the acclaimed 1959 Howard Hawks Western, showcases a perfectly-cast John Wayne in the kind of role he defined during his four-plus decades of appearing before the camera. Although aspects of the movie have a dated feel when viewed l...

Ultimately, it's of minor import how much of Rob Roy is based upon historical fact and how much has been embellished by the pen of screenwriter Alan Sharp. As a hero of 18th century Scotland, Robert Roy MacGregor is known to have walked through th...

Robots is every bit as visually engaging as the best of the Pixar (or Dreamworks) digitally animated fare. The landscapes are stunning, the characters are intricately formed, there's plenty of break-neck action, and Robin Williams provides a helpi...

Nearly a half-century after the theatrical debut of Jim Sharman’s The Rocky Horror Picture Show, the movie at the heart of the cult experience has been reduced to near-irrelevance. Devotees attend midnight screenings not because they want to...

For lovers of romantic comedies through the ages, Roman Holiday remains a favorite. Despite being directed by one of Hollywood's "heavy hitters," William Wyler (The Best Years of Our Lives, Ben-Hur), and starring bankable star Gregory Peck, th...

Sometimes, it's virtually impossible to understand how things work in Hollywood. Crap like Captivity and Norbit get releases while offbeat, enjoyable productions like Romance and Cigarettes languish. The film received its world premiere two years...

Roofman purports to tell the true story of serial thief Jeffrey Manchester (Channing Tatum), a criminal dubbed by the media as “Roofman” (thanks to his m.o. of entering target locations through the roof) during a two-year spree in which he rob...

Spoilers ahoy! A 19-year old woman (Brie Larson) is abducted, held against her will, and repeatedly raped. After two years in captivity, she gives birth to a boy. The father (Sean Bridgers) allows her to keep the child, whom she raises. By the tim...