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The Color of Money is a good movie, but perhaps not a good sequel. In revisiting the shady, obsessive world of former pool shark Fast Eddie Felson (Paul Newman), Martin Scorsese provides us with a character so different from the one found in Rober...

Colossal might look like a monster movie. Indeed, it may feature a Godzilla-like giant lizard leveling a major city in the Far East but, in many ways, that’s just window dressing. Allegorical in the extreme, Colossal is really a drama about...

Confetti is an excellent study of what happens when someone botches Christopher Guest's mockumentary format. A supposed satire of extravagant weddings and reality shows, Debbie Isitt's feature displays little in the way of wit or insight. It's lo...

James Wan is among the best horror directors working today. His filmography reads like a “best of” modern scary movies, and The Conjuring 2 is a worthy addition to the list. Although the successful box office performance of The Conjuring ...

"What we have here is… failure to communicate." In the history of motion pictures, there are a few - but only a few - better-known quotes. Even people who have never heard of Cool Hand Luke know that line (and can ape it with an imperfect Sto...

I have nothing against historical fiction: books or movies using real characters in situations that didn't happen. However, one would hope in such cases that the authors would have a story worth telling. That's not the case with Copying Beethoven...

A curious thing happened to Cosi on its way to a United States release -- it got lost. Or at least temporarily misplaced. Miramax Films began showing trailers for this movie more than a year ago, but the opening date was repeatedly delayed until ...

It's often said that if you're going to borrow, borrow from the best. And, in motion pictures, one of the best is certainly Akira Kurosawa. His The Seven Samurai was remade as John Sturges' immensely popular The Magnificent Seven. His The Hidden...

There's not much of a mystery about what Crank delivers. As promised, it's 85 minutes of action, with little in the way of encumbrances like dialogue and exposition, and only skeletal fragments of a narrative to keep things moving. For the most p...

It has been called brave, rousing, and shocking. At the 1996 Cannes Film Festival, where it received its world premiere, it was both hailed and booed, and received a special jury prize for "originality, daring, and audacity." Ted Turner, who ...