Search for 6

Bart Layton’s Crime 101, his first narrative feature in eight years, falls squarely into the category of movies that should be better than they are. With an ensemble cast of this caliber—featuring Chris Hemsworth, Mark Ruffalo, Halle Berry, Ba...

Criminal is an action-thriller with a science fiction twist. To the extent that its purpose is to energize and involve an audience, it succeeds. The premise, however, which involves transplanting the memories of a dead man into the mind of a living o...

The success of Paul Hogan's Crocodile Dundee in America is about as unlikely as the success of the title character on the streets of New York City. Nevertheless, in part because of Hogan's winning smile and in part because of his unpretentious sty...

Curse of the Golden Flower is director Zhang Yimou's ambitious attempt to blend martial arts action with Shakespearean melodrama. It's not a perfect marriage but it offers two hours of solidly over-the-top entertainment featuring incredible visual...

Perhaps a better title for The Da Vinci Code might be Much Ado about Nothing. When you boil away the hype and hysteria, all that remains is a pedestrian murder mystery that isn't sufficiently challenging or scandalous to raise anyone's hackles. I...

Dadetown is a "meta-documentary" about small-town America in the 1990s. Is a rural, close-knit community still the "American dream", or, with the closing of factories, has it become a kind of American nightmare? A stunning first feature from ...

Daylight is an action picture without a villain. Frankly, it doesn't have much of a plot, either. Or characters, for that matter. In fact, the so-called dramatic elements of this movie are so shaky that you wonder if the filmmakers spent all o...

Pity poor Eliza (Hope Davis). On the surface, her family seems normal. She lives with her husband, Luis (Stanley Tucci), in a nice, Long Island home only a short distance from her parents' house. Under that roof are her mom, Rita (Anne Meara), ...

Dead Man, Jim Jarmusch's first feature since 1992's Night on Earth, is a quirky chronicle of one man's physical and spiritual search for a place of belonging. Jarmusch chose to make Dead Man a western because, according to him, the genre is "very ...

Contains minor spoilers. Deadpool is subversive. It’s the first major comic book movie to venture this deep into satire and one of the rare ones to earn an R-rating. For those who feel superhero films have become stale and predictable, Deadp...